Everything about The Gowers Review Of Intellectual Property totally explained
The
Gowers Review of Intellectual Property was an independent review of the
copyright law of the United Kingdom focusing on "
intellectual property rights", conducted from
December 2005 to
December 2006.
Chancellor of the Exchequer,
Gordon Brown, commissioned
Andrew Gowers to lead the review; Gowers had just left a position as editor of the
Financial Times when he took up the position on
December 2,
2005. The review coincided with a 2006 survey carried out on behalf of the National Consumer Council, which indicated that over half of British adults infringe copyright law by duplicating and
ripping music CDs. Following the review, in January 2008 the government initiated a public consultation period on proposals to legalise personal copying.
The review concludes that the UK's
intellectual property system is fundamentally strong but makes 54 concrete recommendations for improvements, broadly covering the areas of: strengthening enforcement; providing additional support to business; and striking a balance between protecting intellectual property and allowing free market competition.
On
November 27,
2006, it was reported that the copyright of recorded music should not, according to the review's recommendations, be extended from the current 50 years after the date of recording. The
British Phonographic Industry and prominent musicians, such as
Cliff Richard and
Ian Anderson, had lobbied for an extension to 95 years, matching the length of copyright provided in the
USA; other musicians, such as
Dave Rowntree of
Blur provided counteropinions. The Gowers Review found that the UK, compared with the USA, suffers no apparent impediment to creativity due to this disparity.
The Review's conclusions were published on
6 December 2006 as part of the Chancellor's annual pre-budget report. A full-page advertisement placed in the
Financial Times of
December 7, stating "Fair play for musicians: We call upon the UK Government to support the extension of copyright on sound recordings", was signed by over 4,500 musicians, including a few dead ones.
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